Boston: Houghton Mifflin, 1995. First Printing of the First US Edition. A Fine tight unread copy in a Fine bright dust jacket. This book is unique in its coverage of contemporary American writing for children from alphabet books to young adult novels. The editor has gathered information from nearly 200.....
Boston: Houghton Mifflin, 1995. First Printing of the First US Edition. A Fine tight unread copy in a Fine bright dust jacket. This book is unique in its coverage of contemporary American writing for children from alphabet books to young adult novels. The editor has gathered information from nearly 200.....
Racine: Whitman Publishing, 1936. First Printing of the First US Edition. A Good copy in illustrated boards, lacking half the backstrip and some edge wear but otherwise complete. The story begins with "A strange Adventure once befell...and ends with "their Zeal has brought them lots of luck." Illustrated throughout. Catalog.....
New York: Harcourt, Brace Jovanovich, 1992. First Printing of the First Edition. A Fine copy in a Fine unclipped dust jacket. This copy is signed by both William Stafford and Debra Frasier. An animal walks the land, drinking up summer's green sounds--"the croak of toads, and all the little shiny.....
London: Hamish-Hamilton, 1952. First Printing of the First UK Edition. A Very Good copy in a Very Good dust jacket with loss to the heel of the spine and wear to the corners. Charlotte's spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend.....
New York: Random House, 1995. First Printing of the First Edition. A Near Fine copy with a previous gift inscription on the flyleaf in a Fine unclipped dust jacket. This collection of Theodor Geisel's (Dr. Seuss) fantastical artwork provides an inside look into his outlandish creatures and puckish sense of.....
Mount Vernon: Peter Pauper Press, ca 1965. Reprint Edition. Both volumes are Fine in illustrated covers with Fine slipcases. This edition contains all the origianl illustrations as drawn by Sir John Tenniel.
New York: Scribner's, 1925. Later printing. A Near Fine copy in illustrated boards with a book plate afixed to the front pastedown. Black cloth, pictorial paste-on, This Scribner Classic features ten color plates by Smith as well as pictorial endpapers and title illustrations by E. Mallison. The text focuses only.....
New York: Grosset & Dunlap, 1950s. Later printing. A Fine copy with tan tweed binding in a Near Fine dust jacket designed by Laune with light edge wear. This is the unrevised text of the twenty-first book in the series with the orange J. Clemens Gretta endpapers. The Hardy Boys.....
New York: Grosset & Dunlap, 1950s. Later printing. A Fine copy with tan tweed binding in a Very Good plusdust jacket designed by Laune with light edge wear and one closed edge tears. This is the unrevised text of the nineteenth book in the series with the orange J. Clemens.....
New York: Grosset & Dunlap, 1950s. Later printing. A Fine copy with tan tweed binding in a Near Fine dust jacket designed by Laune with light wear to the spine. This is the unrevised text of the twenty-second book in the series with the orange J. Clemens Gretta endpapers. The.....
New York: Grosset & Dunlap, 1950s. Later Printing. A Fine copy in the tan tweed cloth binding in a Near Fine dust jacket designed by Gillies with light wear to the extremities. This is the original text of the fourteenth book in the series with the orange Gretta endpapers. The.....
New York: Grosset & Dunlap, 1950s. Later Printing. A Fine copy in the tan tweed cloth binding in a Near Fine dust jacket designed by Scott with light wear to the extremities. This is the original text of the second book in the series with the orange Gretta endpapers. The.....
New York: Grosset & Dunlap, 1950s. Later printing of the Original Text. A Fine copy with tan tweed binding in a Very Good plusdust jacket designed by Stricker with two small chips to the spine. This is the unrevised text of the fifth book in the series with the orange.....
New York: Grosset & Dunlap, 1950s. Later Printing. A Fine copy in the tan tweed cloth binding in a Near Fine dust jacket designed by Stricker with light wear to the extremities. This is the original text of the fifth book in the series with the orange Gretta endpapers. The.....
New York: Grosset & Dunlap, 1950s. Later printing. A Fine copy with tan tweed binding in a Near Fine dust jacket designed by Scott with light wear to the spine. This is the unrevised text of the ninth book in the series with the orange J. Clemens Gretta endpapers. The.....
New York: Grosset & Dunlap, 1941. First Printing of the First US Edition. A Fine copy in dark brown binding in a Near Fine dust jacket designed by Laune with light wear to the extremities. This is the original text of the twentieth book in the series with the orange.....
New York: Grosset & Dunlap, 1950s. Later printing. A Fine copy with tan tweed binding in a Fine dust jacket designed by Laune. This is the unrevised text of the twenty-fourth book in the series with the brown mulit-scene endpapers. The Hardy Boys head to Hudson Bay to solve the.....
New York: Grosset & Dunlap, 1950s. Later Printing. A Fine copy in the tan tweed cloth binding in a Near Fine dust jacket designed by Scott with light wear to the extremities. This is the original text of the first book in the series with the orange Gretta endpapers. The.....
New York: Grosset & Dunlap, 1958-61. Later printing. A Fine copy in a Near Fine dust jacket with light edgewear. This edition contains the original text with the brown multi-scene endpapers.endpapers and cover art by Laune. The Hardy Boys solve the mystery of Asa Grable's missing silk moths and the.....
New York: Grosset & Dunlap, 1952. Later printing. A Near Fine copy in a Very Good plus dust jacket with a faint moisture stain to the rear fold of the jacket. This edition contains the original text with the brown multi-scene endpapers.endpapers and cover art by Laune.
New York: Grosset & Dunlap, 1951-59. Later printing. A Fine copy in a Very Good dust jacket with a chip to the head of the spine and a closed tear to the lower edge of the front panel. This edition contains the original text with the tan boards, orange Gretta.....
New York: Abrams, 1980. First Printing of the First US Edition. A Fine tight copy in a Fine mylar jacket as issued. The author explores Sendak's life and work in affectionate detail drawing in part on her numerous conversations with the artist. This biography is enhanced by perceptive quotes from.....
